Sep. 4th, 2002

dolari: (Default)
YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS

Two new CDs: A new compilation of Cowboy Bebop stuff, and the "Bat Conservation International 'Benefit for the Utilization of Tuchus Tenements' CD"

That is all.
dolari: (Default)
YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS YOKO KANNO IS A GODDESS

Two new CDs: A new compilation of Cowboy Bebop stuff, and the "Bat Conservation International 'Benefit for the Utilization of Tuchus Tenements' CD"

That is all.

Part Two

Sep. 4th, 2002 12:55 am
dolari: (Default)
Thirty seconds into my last entry, the thought ran through my head: Yokko Kanno has a Posse.

She's still a goddess, yaknow.

Part Two

Sep. 4th, 2002 12:55 am
dolari: (Default)
Thirty seconds into my last entry, the thought ran through my head: Yokko Kanno has a Posse.

She's still a goddess, yaknow.
dolari: (Default)
In what could be a turning point for later in the series, AWFW took a plot twist I didn't expect. Again.

Episode #13 of AWFW was drawn up with specific scripting in mind..and when it came time to letter it, different words came out of their mouths. It provided a plot twist that I had no idea was coming. I welcomed it and it provided a plot that allowed me to do "The Final Nightmare"

Now while drawing up Episode #25, what was suppose to be six panels of exposition turned into three panels of exposition, and three panels of stuff I ha no intention of showing until MUCH later in the series. It provides a nice teaser about what's coming up after AWFW is over an the sequel starts.

It just came to me when I was trying to draw Panel #3 trying not to make it a standard face shot. Suddenly another pic kicked in my head which didn't belong there...but...it did. And it played out so great. It also adds a much more urgent timer to the action (which I tried to do with Hanna's bleeding, but that didn't shape up very well).

Assuming I don't just absorb the sequel INTO AWFW.

Episode #25 will have Diana show up again, We'll see Michael an Ridhaa as well. An #28 or so will end the first third of AWFW.
dolari: (Default)
In what could be a turning point for later in the series, AWFW took a plot twist I didn't expect. Again.

Episode #13 of AWFW was drawn up with specific scripting in mind..and when it came time to letter it, different words came out of their mouths. It provided a plot twist that I had no idea was coming. I welcomed it and it provided a plot that allowed me to do "The Final Nightmare"

Now while drawing up Episode #25, what was suppose to be six panels of exposition turned into three panels of exposition, and three panels of stuff I ha no intention of showing until MUCH later in the series. It provides a nice teaser about what's coming up after AWFW is over an the sequel starts.

It just came to me when I was trying to draw Panel #3 trying not to make it a standard face shot. Suddenly another pic kicked in my head which didn't belong there...but...it did. And it played out so great. It also adds a much more urgent timer to the action (which I tried to do with Hanna's bleeding, but that didn't shape up very well).

Assuming I don't just absorb the sequel INTO AWFW.

Episode #25 will have Diana show up again, We'll see Michael an Ridhaa as well. An #28 or so will end the first third of AWFW.
dolari: (Default)
Wow - the creaive juices are exploding today. Note to self: Stop storing flammables near them.

Have an idea for a written story. I will think about it more before divulging it. If I divulge it at all.

I wonder if I could pull it off....
dolari: (Default)
Wow - the creaive juices are exploding today. Note to self: Stop storing flammables near them.

Have an idea for a written story. I will think about it more before divulging it. If I divulge it at all.

I wonder if I could pull it off....
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